Showing posts with label both sides the right side. Show all posts
Showing posts with label both sides the right side. Show all posts

Wednesday, April 26, 2023

Dear Earth / help me to balance

Dear Earth   2018, cotton flannel dyed with tannins, cotton broadcloth, machine pieced, hand quilted with red button thread, batting is a flannel sheet, 90 x 66 inches.

 help me to balance   2018, old cotton towels and old flannel sheets, batting is a flannel sheet, machine pieced and hand quilted with red cotton button thread, some mends, 90 x 66 inches.

Both sides of this quilt are the right side.  Both have an earthy minimalist aesthetic.

Dear Earth was written about by Sarah Gagnon in 2023 in her instagram account @pelicanquilts .  

The following text is quoted directly: 

Dear earth.  dear mother.  This poem of a quilt with its repetitions, with its six verses, each connected but each rambling down its own highway of thought.  This nine-patch that harkens toward the ground.  The dirt is everywhere in this piece.  No afterthought even though I wiped the dirt off my feet.  Or I tried to. Judith collected a piece of dirt from each corner and built this world for us.

These six breasts.  Mother Earth.  Each one muddled with its own story and history.  Reminds me of my own young breasts that later became women's..  Later became fountains.  Reminds me of J. Hopestein's poem 'a newborn rests her head on the earth of mother.  Everything else is outer space."


The quilt and the breast always seem so connected to me.  It's our first separation from our mother.  The quilt is the first planet we visit after her earthy body.  

This quilt struck me immediately with a quality of unearthliness.  A quality of the divine. So I was surprised and delighted when I read the name.  Like a tether it pulled me back again to set my feet on the ground.  Kant painted a picture of the world where contradiction could exist together with reason.  The divine and the finite.  But for him there is always an impermeable membrane between the two.  When we encounter a contradiction we have touched a point of transcendence that we can't not enter.  Like Moses on the mountain - a touch and then we have to step back.  NO access.

I've chased the tail of God my whole life.  Sometimes in the most naïve ways and others with maturity.  Others frozen and unable to progress.  I found the ideas from Hegel helpful here  He believed there was no barrier that holds us back but instead that contradiction is just part of the experience and fabric of the universe.  It's not a wall outside.  It's the surface of the life we live in.  For him, we aren't thinking at all till we reach these moments of contradiction.

The quilt and it's transcendent earthiness.  That's what it makes me think of.  The mundane miracle.  

Sarah Gagnon posted this text on instagram February 11, 2023.  Sarah also has a new Pelican Quilts blog.  Click here.

number 110     2018

Friday, June 26, 2015

metaphysical thinking



Artist/curator  Lise Melhorn Boe invited me to participate in A Book Arts Mosaic, a collection of 38 Canadian book artists.  Each artist was to create an original edition of 25 books so that boxes of books could then go into libraries and collections across the country.  There were 25 such boxes, each containing 26 books.

I made 30 scrolls so that I could keep five for myself.  (I have now given all but one of those away.)

Transferred text asking questions such as 'who am I?', 'what is real?' or phrases such as 'the idea of self' , and 'think'...accompany images of thoughtful women gleaned from magazines that year.  The most important marks however are the hand stitches in the flannel fabric.

I regret that I don't have better photos of this series.

2005

number 102

Thursday, July 31, 2014

Yin Yin

Yin Yin is a two sided quilt.
Not large - about 34 inches wide, 27 inches high
hand stitched completely
Made in 2013
Reverse applique dot technique - the back of the dots showing rough on the linen side, the front of the dots neatly finished on the white wool side.
Both sides are the right side.  Both sides are the wrong side because the piece was quilted with the linen side facing up - the back of the quilting is the white side.
Yin Yin is the title because there is no Yang in this piece.
plant dyed linen, procion dyed velvet, white silk-wool gauze, red button thread and red silk embroidery floss around the edges.

Yin Yin was juried into Visions in San Diego 2014.  It won the Friends of Fiber art award.  A  catalogue was published.

Number 96